The mechanics are all worked out, but there's still a few more refinements to be made, and then the individual frames need to be scanned or photographed properly. I'm delighted that the tracing paper works for the shading, and with just one sheet instead of two - but moreover, that the whole thing works!
Erin Conley created Virgil, and I have brought him to life. The magic of this medium is beginning to come to fruition.
Expect a more detailed update in the coming week, with the final, polished version of this, as well as a look into how it was made.
